Spraying It

And then I got very busy.

And that means there’s a lot backed up here.

So I’m just gonna spray it.

My new book, SLEEPLESS, is coming out tomorrow. In the manner typical of significant personal events, this has both taken for-fucking-ever, and totally snuck up on me out or fucking nowhere.

Writing SLEEPLESS was a tough sonofabitch. I am deeply invested in it.

Many of my readers are going to flat out hate this fucking book.

Period.

Fucking period.

Some people who want nothing to do with anything else I have ever written are going to like this book.

Fucking period again.

And that’s a little intimidating and scary. I don’t have a plan to change forever the kind of books I write, but this one is different enough to just not work for some of my regulars.

Sorry.

Anyway, it comes out tomorrow. I’m gonna try and get back here and do some whoring. But I’m still very busy with other stuff. So you may be spared the whore.

Not unrelated to SLEEPLESS, I’m going on a little tour.

Here are the places and dates:

Tuesday, January 12
7:00pm
The Poisoned Pen
4014 N Goldwater Blvd. Suite 101
Scottsdale, AZ 85251
(with T. Jefferson Parker)

Wednesday, January 20
7:00pm
BookPeople
603 North Lamar Blvd.
Austin, TX 78703

Thursday, January 21
7:00pm
Legacy Books
7300 Dallas Pkwy Ste A120
Dallas, TX 75024

Friday, January 22
6:30pm
Murder by the Book
2342 Bissonnet St.
Houston, TX  77005

Saturday, January 23
2:00 PM
Mysterious Galaxy
7051 Clairemont Mesa Blvd. Suite #302
San Diego, CA 92111

Saturday, January 30
2:00pm
Mysteries to Die For
2940 Thousand Oaks Blvd.
Thousand Oaks, CA 91362

4:00pm
Mystery Bookstore
1035 Broxton Ave.
Los Angeles, CA 90024

Sunday, January 31
Dark Delicacies
4213 West Burbank Blvd.
Burbank, CA 91505

Hope to see you.

Oh, and THE MYSTIC ARTS OF ERASING ALL SIGNS OF DEATH came out in trade paperback last week.

It’s still a book you have to pay for, but it’s cheaper than a hardback.
The library is good, too.

Marilyn Stasio at the NY Times put it on her notable books of 2009 list HERE.
And then it got a little more love from the NY Times Paperback Row feature HERE.

One of the projects that’s been keeping me so busy is the development of a TV show based on MYSTIC ARTS for HBO.
What happened was that I was lucky enough to make an acquaintance with Alan Ball a couple years back and we’d spoken about doing a film or TV project about.
More recently I asked him if he was interested in the idea of a MYSTIC ARTS TV show and he volunteered to executive produce and guru for my first foray into TV.
Hint to the TV newbie: having Alan Ball as your guru helps.
Sometimes, you just get unreasonable lucky.
Anyway, I’m writing the pilot. If it clears the many many hurdles in between script and TV show, the first season will loosely follow the plot of the book.
And then who the fuck knows what.

My DEATHLOK miniseries for Marvel has been running for a couple months now. I think issue three is due this month. It’s pretty wild and over the top. Crazy SF adventure noir. Skull faced cyborg warrior takes on the world.

The last Joe Pitt book, MY DEAD BODY, has seemed to please a few people. And I’d like to thank the people who thought is sucked for not emailing me. It’s nice to keep that bubble unburst.

There is some pending movie news regarding CAUGHT STEALING, but the producers have yet to announce the deal so I need to keep it under my hat for now.

I’m still not working on my next novel, which seems more than weird. There’s this idea that’s still building for me, and it’s nice to have other work that’s kind of subsidizing the development of the idea. But I’m getting antsy. Also, most of my work over the last several months has had at least some socially interactive component, and I’m eager to be a selfish motherfucker again and god of my own world.

For the last few weeks I’ve been neck deep in a second TV project with a writing partner. This is another deal where the powers that by have yet to spill the beans, so I can’t share details as yet. About all I can say is that it’s my partner’s idea, it’s a cop show, and we’ll know soon if the pilot will be made.

I finished all the scripts for my 12 issue run on one of Marvel’s cadillac titles, but (wait for it) they haven’t announced the details yet so…
I do know it should start running in fall of this year.

I’m not sure when the smoke is going to clear so that I can compose some actual thoughts about writing, but it is what it is what it is.
With SLEEPLESS coming out you can be pretty sure that I’ll at least be running news in that quarter.

Speaking of which, here’s the starred review that ran in KIRKUS a few weeks back (A few SPOILERS in here):

“Thirty million Americans are sleepless, and it’s killing them.
What began modestly and unobtrusively is now a pandemic—ten percent of the world’s population can’t sleep. Ever. Zombie-like, the sleepless roam nocturnal streets, desperate to fill endless hours, while their bodies—and minds—disintegrate. This disease is a death sentence, usually within a year. While there’s no known cure, symptoms can be alleviated, but only by an increasingly hard-to-get drug named Dreamer. Parker Haas, a young police officer, seems immune to the disease, but his wife Rose is dying of it. Months ago, she passed the stage where she could care for their child in the loving way she used to. Instead, she spends her diminishing time obsessively immersed in Chasm Tide, a complex doomsday video game. On the street one day, Park learns of a possible source for Dreamer, which has become central to a flourishing black market. Then he discovers a conspiracy to artificially control the Dreamer supply in order to protect an exorbitant profit margin. The world may in fact be coming to an end as so many around him insist, but Park keeps it simple. He has never seen any path but the one straight ahead, and the imperative remains what it always was. If there’s a conspiracy, his job is to investigate it. If a perpetrator, no matter how powerful, can be identified, his job is to jail the guy. A good cop does what a good cop has to do. For Park, the rest is abstraction.
A writer as skilled as Huston (The Mystic Arts of Erasing All Signs of Death, 2009, etc.) can make an apocalyptic story terrifyingly plausible. Readers prone to depression should approach with care.”

See you out there.

-c

Free Books Again

When you don’t visit for a long time, it’s nice to bring a gift upon return.

Case in point: Random House is offering the first Joe Pitt casebook, ALREADY DEAD, for free in multiple ebook formats.

The free offer is going to last for about two months.  But that’s just the download window. Once you have the book, you get to keep it. It won’t be disappearing from your device two months down the road.

Most of these require that you already have or create a free account at the host site.  For Amazon and B&N that exposes you to a certain amount of emarketing. You can read online at Scribd without an account, but you’ll need one to download the PDF. My own Scribd account has never resulted in any spam that I know of. Suvudu is new to me, but it looks like you can download the PDF file there with a click and nothing else.  The Stanza version is for their free iPhone app only, and comes preloaded in the Random House free library. I knocked the desktop Stanza in the past, but the IPhone app is slick as hell.

As with the Hank Thompson trilogy, I’m going to try and get Random House to leave ALREADY DEAD available as a PDF after the  other offers expire.

So here’s where you can find free ALREADY DEAD ebooks:

Amazon’s Kindle edition

Barnes & Noble eBook edition 

Scribd PDF edition 

Suvudu PDF edition 

Stanza  (Just the iPhone app download, the book comes in the preloaded library.)

Want more?

The Henry Thompson trilogy at Scribd

CAUGHT STEALING

SIX BAD THINGS

A DANGEROUS MAN

Best Reader Email Ever?

You decide…

“…the joe pit books are like lord of the rings for people who like seriously fucked up shit.”

Thanks, Brian G.

Hacking at Other Things

The ghost of Joe Pitt is behind me.

The last book isn’t published and already the fucker is haunting me. On this occasion his spirit has taken the form of copy edit pages that I need to review.

Curse you!

The accelerated pace of putting MY DEAD BODY together continues unabated. The good/bad news is that this is it. After I review these pages, make whatever slight tweeks I think they may need, the manuscript will travel downriver to a bend that takes it out of my hands.

Better or worse, this fucker is all but done and I can’t do a fucking thing about it.

I am, it is fair to say, emotionally conflicted.

In any case, that’s what’s on the front burner.

The SLEEPLESS manuscript for next year’s crime novel is now off the burner. I did my copy edits, looked at some design pages today (layouts and typefaces, the look of the book on paper), but really all I’ll be doing from here out is checking out cover art, cover copy, some ad copy, and hoping for the best.

I’m through four scripts on my unannounced Marvel project. This thing doesn’t have an artists yet, so I’m way ahead of deadlines. For that matter, it doesn’t even have a publication schedule. Twelve issues starting sometime late this year, I think. I’m going as far over the top as the character will allow. Less thinking, more fun. Could easily suck.

In the last couple weeks I’ve done a total of three short stories for various Marvel anthologies. Not sure how that got started, but there it is. Characters I’ve either nover worked with before barely touched in. Good times, but that’s about all I can handle for the moment.

My Marvel mini has five issues of art in the can now. They have to announce that thing some time soon.

I’m giving myself a break before starting my next novel. Nothing luxurious, just a couple months. I’ll need to start fairly soon, but it’s been nice hacking at other things. Most of my focus is on comics. They are actually, in many ways, a bit harder for me than novels, but it’s still a good change of pace.

I keep thinking about fantasy. A pure adventure story. My roots as a childhood reader. It’s largely a time thing. Some gigs I know will pay bills, others I have no clue. How much time can you devote to the gig that may not cover the rent? Not a life or death struggle for me, especially as how the paying gigs are plenty of fun on their own. But it’s been awhile since I wrote something I wasn’t being paid to write, and I’m curious to find out what will happen if I’m writing a story that doesn’t already have a price tag on it. More anxiety? Less? More freedom? Less? Some days I just want to spit it on the page and see what color it is.

-c

German Mystic Arts

The German’s are back at it.  Here we have their cover for THE MYSTIC ARTS OF ERASING ALL SIGNS OF DEATH, retitled CLEAN TEAM.  And, you know, I understand the title change and don’t think I can really expect anyone to keep the American title.  As for the artwork, I love it.  Nice and splattery.  Mop and bucket, natch.  More like this, please.                                                                 huston_978-3-453-40730-5.JPG

Joe Pitt on Brewerblob

Yes, the JOE PITT CASEBOOKS are blogged at Brewerblob, but that’s not the best reason to check the place.  The best reason to check the place is for horror movie ephemera and clips.

Page 99 of Every Last Drop Does Not Suck

Talking ELD at the Dragon Page

I recently got on the phone with the gang at the Dragon Page.  You can listen to what we talked about HERE.

Joe Pitt in the Sinister House

Reader Tim Hewitt spotted this nugget at the Golden Age Comic Book Stories blog.

Dig the one fang motif in play in 1973.  I never pictured Joe with sideburns, but the look might work for him.

Thanks, Tim!

1973_02_sinisterhouse_09_sparling.jpg

Reminder, the fifth Joe Pitt casebook, EVERY LAST DROP, is on shelves.

Joe Pitt Primer and SPOILER WARNING

Reader Anne Kimbol has taken it upon herself to put together this Joe Pitt primer that covers characters and events from the first three books in the series.

Thanks, Anne!

WARNING!!!WARNING!!!WARNING!!!WARNING!!!WARNING!!!WARNING!!!WARNING!!!WARNING!!!

SPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERSSPOILERS

WHILE INCREDIBLY USEFUL AS A REFERENCE TOOL, THIS PRIMER WILL SPOIL ANY NUMBER OF PLOT POINTS IN THE FIRST THREE JOE PITT BOOKS.  IF YOU HAVE NOT READ THOSE BOOKS AND PLAN TO IN THE FUTURE, SCROLL PAST.  LOOK AWAY.  MOVE ON DOWN THE ROAD.  NOTHING GOING ON HERE, PEOPLE, GIVE THE MAN SOME AIR.

Outline/Summary of Charlie Huston’s First Three Joe Pitt Books (Already Dead (AD), No Dominion (ND), and Half the Blood of Brooklyn (HBB))

 

Purpose: To serve as a reminder for readers of what happened in the first three books, including information on important characters and clans. This is in no way a substitute for reading the books and is only to be used as a memory jog when reading Every Last Drop

 

 

Characters

 

Name

Book of First Appearance

Information

Status at End of HBB

Joe Pitt

AD

Real name Simon; Rogue before re-joining Society; generally uses violence as a problem-solver; 6’ 3” and strong; uses size and strength for intimidation when needed

In the Bronx; has managed to piss off basically everyone in Manhattan and a large part of Brooklyn; Alive/vamp

Philip Sax

AD

Junkie Renfield used as an informant and messenger boy by Joe and clans

Alive/uninfected and as well as Philip ever is

Dexter Predo

AD

Head of Coalition security, uses Joe when it is convenient

Alive/vamp and well

Terry Bird

AD

Saved Joe when he was first infected; head of the Society; ex-hippie type who uses violence when convenient; likes to wax poetic; more signs in ND that Terry is working behind the scenes with Predo and is after power more than anything else; not clear whether everything he does with Joe is to use him or just most of it

Alive/vamp

Tom Nolan

AD

Head of Society security; found out to be Coalition spy; was dealing anathema downtown; claims Terry set him up

Dead (in ND) – sent into the sun

Lydia Miles

AD

Member of Society and head of Gay, Lesbian and Other Gendered Alliance;

Alive/Vamp

Hurley

AD

Member of Society security; very big; not terribly bright; very loyal to Terry Bird

Shot up by Sela and Joe but alive/vamp

Evie

AD

Joe’s girlfriend; HIV-positive bartender when they meet; in hospital during HBB before Joe removes her and brings her to Daniel

Alive/vamp; Enclave member; Joe tried to strangle her to save her from the life

Marilee Horde

AD

Hired by Joe to find her daughter in AD; rich; connected in both infected and normal worlds; infected with zombie bacteria by her husband after she tries to keep him from their daughter

Dead (AD) – killed by Joe after infected with zombie bacteria

Leprosy

AD

Squatter Joe uses for information; has nasty dog named Gristle

Dead (AD) – killed by Joe after infected with zombie bacteria

Dale Edward Horde

AD

Rich; connected inside and outside infected world; creates zombie-bacteria-carrying dentures and infects people with it; wants to research vyrus but Predo won’t let him; likes young girls

Dead (AD) – killed by the Wraith

Daniel

AD

Head of the Enclave; believed to be the one who will survive in the sun; can tell by looking at people whether they are Enclave and whether they can survive being infected

Dead (HBB) – did not survive walking into the sun

Wraith

AD

Leaves behind an absence of smell, darkness, and cold; believed by Daniel to be what comes from dead vampyres; had some sort of deal with Daniel (exact details unknown but stole Joe’s blood when Daniel wanted him to experience starvation during AD)

Still around/feared by those who know of it

Luther X

AD

Founder of the Hood

Killed before AD begins

DJ Grave Digga

AD

Took over the Hood after Luther died; militant

Alive/vamp

Chubby Freeze

AD

Internet porn director; somewhat friendly with Joe and with the Hood

Alive/uninfected

Sela

AD

Pre-final-operation transvestite (has breasts and a penis); hooks up with Amanda Horde

Alive/infected

Amanda Horde

AD

Gets caught up with vampyres through her parents and her father’s attempt to create a zombie epidemic; saved by Joe and has a big-brother-type crush on him; very rich; Sela’s girlfriend; will take over parents’ company at 18 and research vyrus

Living in Coalition turf, but wants to form own clan called Cure; believes she can find a cure for the vyrus

The Count

ND

Rich guy with science background; vamp; brought into Society by Tom – really another Coalition spy; Joe infects him on the bad dose of anathema

Starves out his addiction and is working to be head of Enclave

Blackie

ND

Runs after-hours bar and drug den

Alive

Papa Doc

ND

Big player in the Hood area; runs the Pool which hosts dog fights and other events

Alive/vamp

Percy

ND

One-armed barber; vamp; Joe’s contact in the Hood when he goes up to investigate the anathema; says Luther killed himself; undercover with Enclave

Presumed alive/vamp

Mrs. Vandewater

ND

Lives in the Coalition outpost near Columbia; infects students and drains them to make the anathema; she wants to start a war and take all of Manhattan back as Coalition turf

Has eye bitten out by Joe and is hooked to the bad dose of anathema by him during ND, no update on her in HBB

Candy Man/Solomon

HBB

Owns a candy store upstairs and runs a blood business downstairs; stocked by the Coalition; killed in what is initially believed to be a Van Helsing attack and later believed to be revenge for selling non-kosher blood to the Gibeahans

 

Stretch

HBB

Leader of the Freaks, brother-in-law of Moishe; father of Vendetta and Harm; real name Abe

Killed by Lydia (HBB)

Glasseater

HBB

Eats glass as part of Freak carnival act

Killed during arrow attack (HBB)

Strongman

HBB

Part of Freaks

Killed by the Chosen (HBB)

Hatter

HBB

Part of Freaks

Killed during arrow attack (HBB)

Vendetta

HBB

Freak member; daughter of Stretch; real name Hannah

Commits suicide (HBB)

Harm

HBB

Freak member; daughter of Stretch; real name Sarah

Commits suicide (HBB)

Axler

HBB

Member of the Chosen; Moishe’s son; kills Selig

Killed by Moishe (HBB)

Selig

HBB

Member of the Chosen; a rabbinical student; Chaim’s brother

Killed by Axler (HBB)

Chaim

HBB

Member of the Chosen; Selig’s brother

Killed during arrow attack (HBB)

Matthew, David, and Hesch

HBB

Members of the Chosen

Killed during arrow attack (HBB)

Rachel and Leah

HBB

Lucys for the Chosen  (uninfecteds)

Unclear

Moishe

HBB

Head of the Chosen; Axler’s father; kidnaps Lydia

Killed by Joe when rescuing Lydia (HBB)

Joseph

HBB

Former Enclave member; infected by Daniel; had a discipline problem and killed a number of Enclave members before being kicked into the sewers; is now a believer in the Enclave cause

Alive/infected

           

Clans

 

Name

Book of First Appearance

Turf

Information

Status at end of HBB

The Coalition

AD

Uptown – from 14th to 110th, river to river,

Very powerful; big supply of blood that no one knows where they get; believes in the vyrus theory of vampyrism; wants to keep vampyres secret from normal society; ruled by 12 member Secretariat

Had emissaries in Brooklyn with no apparent success; sighted in Queens;

The Society

AD

East Side between 14th and Houston

Basically p-c group; want to bring vyrus public

Key members shot/beat up by (and returned the favor) Joe, but alive

Hood

AD

Manhattan above 110th

Mostly if not entirely black

No contact during HBB; largely intact at end of ND

Enclave

AD

West Village

Starve themselves; become incredibly strong; believe someone will manage to survive in the sun and that the vyrus is spiritual/supernatural

Count is working to become leader since Daniel died; Joe threw a Molotov cocktail in the warehouse to make a point

Dusters

AD

Part of area below Houston

Basically a motorcycle gang

Intact; friendly with Joe but not able to help him too much due to political heat

Chinatown Wall

AD

Part of area below Houston

Small clan

No real information ever provided on their status other than their existence

The Docks

HBB

Red Hook area in Brooklyn

Affiliated with Labor; largely killed after turning down Society offer of an alliance

No longer intact

Freaks

HBB

Coney Island

Group that puts on a dark and twisted carnival-type show; gets Joe and Lydia over to Brooklyn and involved with the Chosen

All members dead

The Chosen

HBB

Gravesend and surrounding areas in Brooklyn

Orthodox Jewish clan; believed to be ancestors of the Tribe of Benjamin and the Gibeahans; working to take over Brooklyn which is what pushes the other Brooklyn clans to start approaching Manhattanites

Many if not all members dead

 

Very Basic Plot Summaries

 

AD – Joe gets hired by the Coalition to investigate instances of zombie activity; the Horde family is involved as the father created the bacteria and fake teeth to spread the zombie disease; Joe meets the Wraith who is working with the Enclave

 

ND – Joe is hired by Terry to look into a drug being used by new fish/infectee; drug turns out to be blood from very new infectees being distributed by Vandewater; Tom is discovered to be a Coalition spy and is killed; Joe ends up taking the job as end of security for the Society; Joe tells Evie he is a black-market organ transporter

 

HBB – Brooklyn vampyres are trying to make alliances with Manhattan clans due to someone taking over Brooklyn; Candy Man is killed by possible Van Helsing; Joe brings a strung-out Count to the Enclave, and the Count becomes a member; Joe gets sent with Lydia to make a deal with a small Brooklyn clan and gets on the wrong side of the Chosen; Joe comes back and brings Evie to the Enclave where Daniel determines she is Enclave and takes her in before walking into the sun; Count infects Evie; Joe goes nuts and ends up kicked out of Enclave house; Joe gets picked up by Society and gets beat up a lot and sentenced to go out in the sun; Lydia calls Sela who saves Joe; Joe ends up selling information to Predo for money, blood, and guns before going to the Bronx

 

Joe Pitt Reader Art

All pieces by Nico Walter.

Thanks, Nico!  I like ‘em all, but Terry is so dead-on it’s scary.

daniel-sketch.jpg

hurley-sketch.jpg

terry-sketch.jpg

predo-sketch.jpg

joe-sketch.jpg

Graeme Like Fantasy

So we did an interview about EVERY LAST DROP at Graeme’s Fantasy Book Review.  Find it HERE.

Interview at Blood of the Muse

Yappin’ about EVERY LAST DROP with Blood of the Muse right HERE.

 “To the extent that Joe is sympathetic, I think it’s purely a byproduct of the fact that nearly everyone else in the books are such obvious dicks.”

Brain Eaters

LOS ANGELES - October 2, 2008 - Like most people, very much of my brain has been recently consumed by the odd things happening to the global economy.  The parts of my brain not consumed by the general oddness have been consumed by the especially disheartening spectacle of my country’s supposed leaders playing with one another’s genitals when they might want to stand up and actually lead.

The last ten or so day have been an object lesson in just how rare a quality true leadership really is.  As rare as true talent.  Just as it is exotic to find a painter, dancer, center fielder, soprano, brick layer, chemical engineer or mid wife who excel in their art, craft or labor, it is just as rare to find a politician who excels in terms of leadership.

Yes, this opens a debate as to whether the actual calling of a political is or should be to lead, but that’s for another day.

I’ve rarely seem a hot potato tossed about with such abandon.  Rarely seen such a rush to judgment accompanied by so much hyperbole and panic.  Rarely seen the exercise of political will so poorly  employed.

To wit, no matter whether you believe the bailout (cunningly relabeled a “rescue plan” of late) is a good idea or not, it seems quite obvious that before the people in the highest offices in the country going running about waving their arms over their heads screaming that the end is nigh if we don’t fucking take action right away, they should have a damn good sense that the action thy propose will indeed be taken.  Better than fifty percent.  Far better.

There is a thing called a self-fulfilling prophecy.

It’s not that I am a suddenly disillusioned starry-eyed optimist.   Our political system is corrupt.  Not just dysfunctional, but corrupt.  Far as I’m concerned, that’s a given.

But you’d like to think that in the midst of a massive shit storm someone up there might step to the plate.

We’re told the markets are suffering from a lack of confidence.  Well, a great deal of that lack of confidence is currently being generated not by weak balance sheets and laughable quarterlies, but by the clown car rolling around Capital Hill.

It has caused me to reflect on the last public figure I saw display startlingly true leadership in a crisis.  Rudy Giuliani.

For the record, Rudy is a scumbag.  I thought he was a scumbag from the moment he took office as mayor of New York, and he never did a thing to change my mind, until 9/11.

It was a bizarre contradiction for me, watching Rudy take control, give comfort, lead in the truest sense.  It was, no lie, fucking inspiring.  That is a man who had his finest fucking hour when he was most needed.

Yes he quickly reverted to scumbag, yes, in the following years many of the claims he made about what he did in those hours and weeks were exposed as lies, and, yes, his presidential bid made a mockery of what should have stood as his legacy.

But, at the time, when it was needed, he stepped to the front, took control, told many truths about what was happening, didn’t fuck things up any worse  than they had to be, gave comfort, and lead the city.

Bravo, Scumbag, bravo.

Why I’m bringing him up is, well, because I kind of expected it to happen again.  This last week, as things got more and more absurd, I kept expecting someone to step into the light, take point, and say, Hey, enough fucking bullshit, we’re in a fucking mess and this is what we have to do and this is why and I’m gonna walk everyone through it.  

So, yes, a little starry-eyed maybe.  But was that too much to half-expect?  To hope for?  That there might have been one person in the midst of this fiasco who could…

Fuck it.

The point is, what really surprised me is that I had any brain left to be eaten by anything.   I had thought my daughter had eaten it all.  Babies, they’re totally like zombies, have you noticed?  Ravenous, babbling, lurching around, eating your brains.

Anyfuckingway, between my dear zombie daughter and the money going boom I forgot, literally forgot, that I had a book published on Tuesday.

Funny or sad, not sure.

Hey, readers, gather round, EVERY LAST DROP is on the shelves at a retail outlet near you.  A tale of impending vampire apocalypse to entertain you.  My love on every page.

Seriously there, my love on every page.  Books ain’t cheap, belts will be worn tighter this winter, and I want to thank everyone plunking down their dollars for my words.

Be well,

-c

Joe Pitt Audio Covers

Know that whole “A picture is worth a thousand words” deal?

Sometimes that is just plain dead on.

I see no reason to comment further on the artwork for the Blackstone Audio versions of ALREADY DEAD and NO DOMINION.  They speak quite loudly themselves.

already-dead-audio-cover.jpg

no-dominion-audio-cover.jpg

EVERY LAST DROP Advance Reviews

Reviews for EVERY LAST DROP have begun.

Warning, there are some SPOILERS in both reviews.  Scroll past if such things bother you.

“In his fourth outing, rakish New York vampire Joe Pitt leaves the series’ “casebooks” nomenclature in the

dust. This toothsome tale is no variation on the P.I. genre; instead, Huston imaginatively, logically

explores the limits of the world he’s created for Pitt to haunt. If a virus that forced its hosts to seek blood

for sustenance gave rise to competing secret clans that kept members fed in exchange for allegiance,

wouldn’t a rising population of infected require development of a secure supply chain lest the drained

bodies of victims started piling up on the Manhattan streets? Wouldn’t a threat to that supply destabilize

the entire clan structure? And how would the established clans react to an upstart group promising to find a

cure—thus stripping the old guard of its power? The answers to these questions might pierce even Pitt’s

leather-tough heart as he takes readers on another darkly entertaining ride. Meanwhile, his nights of acting

as unofficial clan go-between might be drawing to a close as the saber-rattling and brinksmanship escalates

toward an all-out vampire war. We can hardly wait.”

-Booklist

 

and

 

 “In this fascinatingly flawed fourth episode in the bloody horror-noir chronicles of New York vampire PI Joe Pitt (after 2007’s Half the Blood Of Brooklyn), relations between the city’s vampire clans are unraveling. The Cure is researching antidotes to the ravenous vampire-creating Vyrus, while the better-nourished Coalition seeks the Cure’s downfall and the Society plays both sides. Dodging death threats and brokering shaky deals, Pitt shuttles among all three until he learns the Coalition’s secret, a revelation so volatile that it may lead to all-out war. Huston supplies terse dialogue and convincing gore in expertly pitched prose, but the beautifully cinematic nastiness doesn’t quite mask a key difficulty: Pitt’s enemies set their hate aside too easily at his appearance, and their rational behavior is at odds with the emotional intensity (and sheer implausibility) of the climax. Newcomers may find the relationships difficult to parse, but those familiar with the series should be enthralled.”

-Publisher’s Weekly

 

 

By the way, while I think it’s obvious why I’m pleased with the  Booklist review, but I should also note that the criticism leveled in the PW review is warranted.  The book is flawed.  I mean, all books are flawed, but this one in flawed in ways that I should have had a better handle on.  I think the nature of the main flaw is different from what PW zeroed in on, but they definitely have a good case.  Anyway, after the book is out for a few months, I’ll write a bit more about what I think went wrong and why.  In the meantime, I also think the book works just fine.  Flaws aside, the goods arrive on time.

 

 

-c

Every Last Drop Appearances

My rather limited appearance schedule for to flog the selling of EVERY LAST DROP, the fourth of the Joe Pitt casebooks, is as follows:

Thursday, October 2nd

7:00pm at Borders Northridge

Reading, signing, etc.

9301 Tampa Ave.
Northridge, CA 91324
Phone: 818.886.5443
Saturday, October 4th

Noon at Mysteries to Die For

Reading and signing.

2940 Thousand Oaks Blvd.

Thousand Oaks, CA 91362

Phone: 805/374-0084

 

and also on October 4th

3:00pm at The Mystery Bookstore

Talk and Signing.

1036 Broxton Avenue, Unit C

Westwood, CA  90024

No release party this time around.  I’ll be making up for that come the new year when MYSTIC ARTS drops.

Every Last Drop Interview and Giveaway

Did I say something about not having the energy to flog the September 30th release of EVERY LAST DROP?

I guess I should bite my tongue.

Over at Fantasy Book Critic you’ll find me babbling about ELD, and other things, HERE

And you’ll also find the FBC gang giving away sets of the first four Joe Pitt casebooks, including EVERY LAST DROP, right HERE.

Consider yourself flogged.

-c

Every Last Drop Interview

EVERY LAST DROP, the fourth and penultimate Joe Pitt Casebook publishes on September 30th.  By all rational measure I should be busy warming up the flogging machine. 

But I’m not.

It’s not that I lack enthusiasm for the book and the series, I just lack the minimum required flogging energy.

Bad, bad writer.

But I did do an interview recently with Fantasy Book Critic’s Robert Thompson.

And it’s right HERE.

And the EVERY LAST DROP sample pages are HERE

Every Last Drop Sample Pages

An Excerpt from the upcoming fourth Joe Pitt Casebook: EVERY LAST DROP 

 

RIPE FOR THE TAKING.

That’s all I can think as I watch them.

The crowd pouring out of the Stadium, tens of thousands

cramming out onto River and the Concourse, flooding the street

under the 4-train tracks as the trains screech in and out overhead,

more people packing the cars sardine tight, tripping up the

steps, cascading down into the tunnels, mashing into Stan the

Man’s, northbound traffic making for the Cross Bronx Expressway

and the Triborough stalled out from all the people wandering

the street. Drunk and half drunk, ecstatic from a win or enraged

from a loss, a blue-and-white pinstriped mass of thousands.

All of them full up.

Each of them enough to keep some sad son of a bitch on his

feet for weeks. For months if he has some self-control and knows

how to go about his business. Most of them strangers to the

South Bronx, never seen more of it than this one subway station

or the parking lot and the Stadium itself. Each one full to their

pumping heart with quarts of blood.

Any wonder every fucking game brings trouble?

Sure, no big secret. That’s why the cops are out there. Cops

keep the traffic moving in fits and starts. Cops keep the Bleacher

Creatures from chewing the ears off any Sox fans stupid enough

to stay through the ninth inning on a night their team came to

town and won. Cops keep an eye out for pickpockets and for

drunks falling under the buses and for snatch-and-grab artists.

If I gave a shit about any of that stuff I’d give them a hearty pat

on the back and maybe buy a boy in blue a beer sometime.

But I don’t care.

What I do care about are poachers. What I care about are

starvelings. I care about the greedy and the weak, the foundering

and the lost and the plain stone stupid. I care about them so

much that I try to show my face around here after every night

game. Just to make it plain and clear.

Clear that they should get off this turf before I come up behind

them in an alley one night and put two in the back of their fucking

skull before they even know I’m there.

The halt and the lame. They got no place. Not as long as I’m

stuck up here.

Up here.

Stand up top long after a game, well before sunrise. Stand on

the 4 platform and look south and you can see it. You can see the

City right there. One stop over the river.

Fucking China to me.

Coming down to the street, iron bars walling stairs and turnstiles

and platforms, arching overhead, meeting the steel undercarriage

of the tracks, like walking circles in a cage.

My cage.

No one shits in my cage.

So after a game I make the scene. Truth to tell, figure I’d make

it even if I didn’t have practical concerns. Figure I’d be out there

on River just to take advantage of pretty much the only time I can

stick my face out of doors in the neighborhood and not pique

someone’s curiosity.

A white face in the South Bronx after dark, it draws a little attention.

During the day, around the courthouses on One Sixtyone,

you see plenty of them. Cops and lawyers and the occasional

plaintiff. But they all go home come night. Closest any of them

live to One Sixty-one and the Concourse might be Riverdale.

More likely Jersey or Queens.

Still, during the day I could blend in real easy eating a Cuban

from Havanna Sandwich Queen on one of the benches next to a

statue of Moses bringing the Ten Commandments down the hill.

Look at my build, my face, my black boots and black Dickies on

a summer day, with my leather jacket draped over the warm stone

bench, and someone might naturally think undercover. Think I’m

some cop up here to testify.

But that would require I was out during the day.

Which isn’t on my agenda. Ever.

Not until I develop a serious taste for dying from instantaneous

eruptions of bloody pustules on my eyes.

So if I desire to take the air, my promenades must come betimes

at night. And, man, there just ain’t no other fucking white

people in these parts after the sun goes down. And drawing eyes

is not something I have much desire to do.

Who that guy?

Seen him around?

Gotta be Five-0.

Naw, see him for months. Never make a move on no one.

He ain’t livin’ up here.

Don’t know, could be he is.

What block? What building?

Next thing you know, go down a block on a hot night: Old

guys got their card table and their wives’ favorite kitchen chairs

out on the sidewalk to play dominoes; young guys standing

around someone’s leased Escalade, bass beats rippling their

baggy shorts, shooting texts to the shorties looking down from a

fire escape across the street; windows open, rice and beans and

stewed chicken smells coming out, mothers and grandmothers

and pregnant girls inside laughing and sipping sangria made

from jug red and 7Up; someone catches sight of me and the

party just shuts down. Hear nothing but my boots on the pavement,

see nothing but sideways eyes scoping me out all the way

to the end of the street until I turn the corner and they all look

at one another.

Who the fuckin’ white guy?

Figure a question like that can drive some people crazy. Figure

some people got to know. Figure sooner or later someone gets in

my face. Figure that doesn’t end well.

Figure that isn’t the real fucking problem anyway.

The real fucking problem is when that question circulates too

far, rumors start, people tell stories, stories spread.

The river, I can’t cross it, but any of these people can. And they

can take questions and rumors and stories with them. And once

that kind of shit is over there on the Island, no telling where it

ends up. Ends up in the wrong place, maybe someone hears it.

Someone hears it, maybe someone decides to look into it. Someone

looks into it, maybe someone sees me. Someone finds me.

And once I’m found by someone from the Island, figure my game

is played out. Figure me dead.

Well, that’s on the agenda, but I’m trying to see if I can’t attend

to that matter at a later date. More pressing business at the moment.

Places to go. People to see.

And kill.

Goals. Ambitions. They keep a man going.

Any case, all the restrictions my new neighborhood puts on

me, figure I’d stroll over after the games just to mix with the

crowd. Just to be out. Anonymous. Free is a word you could use if

you like. If you like a good laugh, that is.

And while I’m there stretching my legs, I take a look around,

take a sniff of the air, see if I maybe smell something I don’t like.

I smell something I don’t like, I can make a point of finding who

it is. Maybe find an intimate moment when the crowd eddies

around us, lean close and make myself clear.

I had such an opportunity tonight.

Waiting on the last couple outs of the ninth inning inside

Billy’s, nursing a plastic cup of tap beer, mentally adding the last

of the singles and change in my pocket to see if I could make it

come out to enough for a real drink before I wrapped up. I

smelled something waft in from the street. I knocked the bottom

of my cup against the bar and watched the foam rise, watched it

boil down, drank the last of it lukewarm and headed out to the

street where the crowd from a not very close loss was already

pouring surly out of the Stadium.

Want to smell rank? Smell a few thousand baseball fans on a

hell-humid night after a bad loss. Sweat-soaked jerseys, urinesoaked

sneakers, dribbled pump-cheese, a cloud of exhaled

peanut breath and hot dog farts.

Unpleasant.

And still, I can smell it.

Scent like slightly diluted acid, cutting my nasal passages.

Hard sharp poison. Venom.

Vyrus.

I start cutting the crowd, working my way back and forth

across the street on sharp diagonals, looking for the scent. And

finding it. Finding it over and over.

The dildo somewhere up ahead of me must be following a similar

path, but cutting for signs of different prey. Looking for a

mark. Someone who will cull themselves drunk from the herd

and wander down the wrong long street, into an absence of light

where any old bad shit can take place.

I can be patient. Wait till he starts moving in a straight line.

That will be the sign, when he stops blundering back and forth

leaving trail after trail, that’ll be the sign he’s found what he

wants. The idiot, out here making a spectacle of himself, hunting

in the open like a bag-snatcher.

Or.

Oh, shit.

Yeah, who’s the idiot now?

Right. Me.

It’s not a single trail zigzagging the crowd.

It’s trails.

A pack. A fucking pack in the crowd. A fucking pack of youngbloods

working the crowd after a game. Cocky in numbers, ignorant

of fear, dumber than dirt.

Christ, does that ring a bell.

Like my own bell tolling away before I learned a thing or two.

I can’t tell how many. Their lines are all stirred together in the

dead air by the shuffling herd. But the scent is strong. So make it

three. Maybe make it four. No more than that. Four together is

pushing any kind of balance. Four can’t last together for long.

Tear each other apart.

No more than four. More likely three. Two?

That’s wishful thinking.

But Christ, let it be no more than three.

More than three and I just won’t have enough bullets. Three

bullets being all I have at the moment. Three bullets, a likewise

amount of dollars, and maybe that many days I can get through

healthy before I need to get my hands on some more blood of my

own.

Well, not blood of my own. More like blood of someone who

can maybe spare a couple pints. Those people, they tend to be a

rare commodity. Most people need all they got. And some of us,

some of us need all we can get our damn hands on.

Every last drop.

—Now! Now! Clear the fuck off now!

—Fuck you!

—Yeah, fuck you!

—Not your fuckin’ street!

—Gonna meet the street in a second. Gonna be assumin’ the position

gangsta style, face in the gutter in a second.

—Man, fuck you!

I swing round and watch some cops dealing with four kids

whipping through the crowd on bright little pocket bikes, knees

jutting high from the two-foot-tall cycles, engines rising and

falling as they give little pulses of gas to keep themselves in motion.

The cop on point adjusts his gun belt.

—Say that word to me again! Say it again! Taser your ass right off

that bike. Know what happens I hit you with a Taser? Make you

shit your pants, kid. Lie there crying mami, mami and your pants

full of shit just like when you were a baby.

One of the kids guns his bike, the tails of his do-rag flapping

behind him.

—Man, Taser you mama.

—What? Say what?

The kids cut back and forth between cars and pedestrians,

never losing balance, staying just far enough from the cops that if

the officers get serious the kids know they can get away.

—Say you mama need a Taser for her stinky pussy.

The cops are half smiling as they walk slowly, herding the kids

away from the heart of the Stadium outflow. Enjoying the distraction.

But clearly not above busting a little skull if they can get

their hands on the fuckers.

The point cop fingers the handle of his baton and tilts his chin

at his partner.

—Kid’s clearly never met your mama, Olivera, otherwise he’d

know how sweet her pussy smells.

Olivera hoists a middle finger at him.

—Not as sweet as your mama says my dick is.

Do-rag rises on his pegs.

—Cops be all in each other mama’s pussies. I wait till you at it

and fuck you daughters.

The point cop’s fingers curl on his baton.

—That ain’t fuckin’ funny, you little shit.

Olivera adjusts his hat.

—I ain’t even got a daughter and I don’t think it’s funny.

Do-rag shrugs, weaves around a clot of baseball fans watching

the scene play.

—No problems, man. I fuck you wifey instead.

And the two cops run at the kids and the two other cops that

had been working their way over from the north end of the street

where the new Stadium is going up run at the kids and the kids

hit the gas, the tiny 49cc engines whining and the crowd scatters

and the cops scream and when the dust settles the backs of the

kids flick out of sight around the corner, one of them waving the

cap he snatched from the head of one of the cops.

The crowd rustles back into its former rhythm and shape,

everyone avoiding eye contact with the cursing cops. The cops

stand in a circle and ask one another if they’ve ever seen those

kids before, what block they maybe live on, what building they

maybe live in, discussing how much ass they’re gonna kick when

they catch up to them.

I wander across the street, crossing the path the kids took as

they rode off, knowing the cops will be lucky if they never see

that particular group of little shits ever again.

Poison in the air.

Poison left hanging by that pack.

Kids no older than thirteen. Could they be older? Sure they

could. If they were heavy feeders they could be old men on the

inside. But they’re not. Old men wouldn’t make a spectacle like

that. Old men wouldn’t bait cops. No, they’re new.

New to the life.

Jesus, thirteen, they’re new to everything there is. And destined

to never get old to it. Not the signs they’re flashing. Big

signs, neon and bright: KILL ME NOW!

I cross to Gerrard, the crowd thinner, the traffic for the CBE

and the Triborough heavy, past the long low bunker of the parking

garage.

Thinking.

Yeah, I’m thinking about the kids. But I got other things on my

mind as well. Like I’m thinking about who made them that way.

Who bled into them. And how many must have died ugly on the

way to infecting those four.

And I’m thinking how life isn’t an easy thing. Nasty, brutish

and short, so they say. And how you got to take your pleasures

where and when you find them. Because they may not come

again.

And I’m thinking just how much pleasure I’m gonna take from

scalping the guy who infected those kids. How much fun it’s

going to be to peel his skull and shove the rag of skin and hair

down his throat to muffle the screams while I figure ways to

make him live as long as possible as I yank his ribs out.

Any wonder I’m so distracted I don’t register the stink of them

as I pass the gated mouth of an alley until I’m twenty feet past it?

I pull up and walk back. The alley is right next to Cassisi and

Cassisi Accident Cases. Se habla español. Like any of the ambulance

chasers in these parts don’t habla español.

I look between the red-painted bars of the gate, down the narrow

space between buildings where old stone walls topped by

curls of razor wire separate good neighbors. There’s a concrete

staircase climbing to the backs of buildings that face on Walton.

A splash of red much brighter than the paint on the gate at the

foot of those stairs.

I push the gate open, the chain that’s meant to keep it closed

dangles, links snapped clean. At the end of the alley, a sound. Reminds

me of a cat I saw once, had its hindquarters run over by a

bus. Cat’s forelegs kept reaching out, claws rasping the asphalt,

trying to get purchase, pull itself away from the pain. People

stood on the sidewalk, stared at the mutilated cat. I stepped on

its neck and it stopped moving. Way people reacted, you’d have

thought I did the wrong thing.

She’s where they left her, on the pavement, blood bubbling

from her lips, red fake fingernails raking the ground. Her eyes roll

as my shadow falls across her. Looks at me, wheezes, says something.

—Ee iunt aigh ee.

It takes a second, but I get it.

She’s right. They didn’t rape her. A hard thing for her to fathom

about a gang of rabid kids who just bit her tongue out.

Her eyes roll again, up into her head this time, and she’s out.

I look around. Lights in the back windows of the tenements. A

collection of overfull garbage cans with a chain running through

their handles. The kind of alley where people steal fucking

garbage cans. Up the stairs it’s darker, a little alcove huddled at

the bottom of one of the buildings, a door leading into a basement.

I pick her up and put her over my shoulder and go up the stairs

and down into the alcove. The door is steel, the lock is cheap. It

pops the second time I put my shoulder into it. I take her inside

and dump her in a corner.

She’s stopped bleeding. She’s stopped bleeding for the same

reason I’m not drinking her blood right now. The kids infected

her. Could have been on purpose. Could have been an accident.

Biting off someone’s tongue, figure there’s a good chance you

might get your own lips bit. However it went down, she got some

of the kids’ blood in her.

And she liked it.

Or something in her liked it.

Or however it works.

If it hadn’t worked, if she wasn’t the kind can take the Vyrus,

she’d be dead in a puddle of white spew already. As it is, the

wound in her mouth and the various scratches and scrapes she

got in the tussle are closed up. Vyrus going to work. So I settle in.

I could kill her.

I should kill her.

I don’t and she’ll either end up drawing attention to her new

condition and making things harder for everyone else. Or she’ll

take to it and be another mouth that needs to feed. More competition

for everyone. Not that I care about everyone. Still, fact that

she’s likely got no future that doesn’t involve making my life

harder in one way or another is enough that I should kill her now.

But I don’t.

Someone had a chance to make that call on me way back and

he passed on the option. I don’t talk to that guy anymore. Not

since I stuck a nail in his femoral artery, but he did right by me

once.

Least I can do is try the same.

Give her the score.

Let her decide.

So I smoke. And wait. Wait for the Vyrus to finish working her

over. Then we can have a talk.

Christ I hope she doesn’t scream too much when I try to explain

it to her.

—Here’s how the rest of your life works. You’re fucked. Your family,

you don’t get to see them ever again. Same with your friends.

Your job is over. Wherever you live, you don’t live there anymore.

You see someone on the street that you used to know, you go the

other way. You see those people, you get tempted to talk to them.

Try to explain. What you try to explain is that you’re sick. You try

to explain it’s not what they think. It’s a virus. A thing living inside

you. It makes you sicker than they can imagine. And there’s only

one way to treat it. To treat the symptoms. That’s to feed it. And

there’s only one thing to feed it. That’s blood. People blood. Know

what happens when you tell them that? They get the same look

on their face that you got on yours right now. Know the difference?

They’re not infected. They didn’t just get jumped and

beaten and have their tongue bitten out by a pack of wilders who

proceeded to suck on their mouth like it was a water fountain.

And because that didn’t happen to them, they can’t feel what

you’re feeling. That burn inside, the heat and tingle around your

wounds. They can’t look at the cuts on their bare arms and see

they’re already closed up, turning pink to white. They can’t feel

the scab grow over their stub of a tongue, feel it flaking away, feel

how smooth and perfect it is now. Feel that it almost seems to be

growing back. Unlike you, they hear a story like that, they got no

reason to think you’re anything but out of your fucking head, and

get you locked up. And that’s the happy ending. The unhappy

ending is if they should believe you. If someone should somehow

find out you’re telling the truth. Because they sure as shit won’t

think you’re sick, they’ll think you’re a goddamn monster. And

won’t it be fun to see that look on their faces. So, no more life. It’s

over. Other things are over too. You’ll never see the sun again. Not

unless you’re about to die a horrible death. The virus in you goes

crazy if it’s hit with shortwave UVs from the sun. Your whole body

becomes cancerous. Fast. Good news, none of the other crap is a

problem. Crosses, holy water, garlic. That shit, it’s shit. You’re infected,

not damned. Or maybe you are. I don’t know. A stake

through the heart will kill you, just like any asshole. But when it’s

fed, the Vyrus will crank up your system. Stronger, faster. Heightened

senses. And tough. But keeping it fed is the thing. A pint a

week. Blood. Human. More if possible. Think about drinking

blood. Not a happy thought. Now think about getting it. The kids

that attacked you, they’re not the norm. Well, up here they may

be a little more normal, but still pretty fucking baroque. The City,

Manhattan, it’s organized. Clans got it carved up. Coalition,

Hood, Society, others. Each one’s got an agenda. A Clan takes

you in, they’ll help you get settled. Adjusted. Not a joiner, you

can go Rogue, stay the fuck off Clan turf. That means staying off

the Island. Means getting blood on your own. Means hurting

people, mostly. Means sometimes someone gets killed. But better

if they don’t. Better if you develop a system. Find a junkie on

the nod you can tap him for a pint. Vyrus doesn’t care about the

junk. Doesn’t care about any kind of illness or poison. Keep it

healthy, it keeps you healthy. And maybe I’m wrong about your

people. Maybe you’re special close to someone. Could be your

boyfriend. Could be your sister. Someone that’s got a taste for

being used. You know the type. Maybe they got it in them to let

you cut into a vein every few weeks. That makes things a lot easier.

Still need to make some moves, but you have someone like

that, a Lucy like that, and things get easier. Not that easy is a

word gets thrown around much in this life. What else? People

know about us. Not a lot, but a few. Well, some know about us,

others just hope we’re real. Some, they want in on the game, want

to make the scene. Fucking Renfields. Others, they got an axe to

grind. Some of them got real axes. Van Helsings. A real one is bad

news. Someone who can go around in the day, poke into things,

has a credit rating to buy guns and bullets and stuff, and who also

knows the real score on us, that’s a serious danger. And? What?

And there’s some infecteds think the Vyrus isn’t a virus. Like

maybe it’s something, I don’t know, something supernatural. Enclave.

They’re crazy. And there’s a bacteria. Kinda like the Vyrus,

’cept it turns people into brain eaters. Zombies. But that’s pretty

rare. So. I don’t know what else. I don’t usually talk this much.

I blow some smoke at the ceiling.

—I feel like I’m forgetting something. Vyrus. Clans. Zombies.

Stay out of the sun. Don’t get shot. Abandon your life. Drink

blood to survive.

I shake my head.

—No. Guess that pretty much covers it.

I flick my cigarette butt away.

—So, question is, can you take it? I lay it out like that, do you

think you’re the kind who can take it?

She wipes at the drying tear tracks in the grit on her cheeks.

She sticks a finger in her mouth and touches her healing tongue,

takes her fingers out of her mouth and looks at me.

Says nothing.

I nod, point up at the barred window at ground level, the night

sky above.

—Look up there.

She looks.

I pull out my gun and use my last three bullets.

 

EVERY LAST DROP

Joe Pitt Casebook Four

Out September 30, 2008